BUFFY: 4.21 ‘PRIMEVAL’

Buffy’s best fights from season 4

WRITER: David Fury
DIRECTOR: James Contner

WHAT’S THE SITCH?

Adam reveals his plan to his ‘brother’ Riley who it turns out has a chip planted inside of him by Maggie Walsh; a chip which allows Adam to control him. So what's Adam been up to? Well, he's been deliberately loading the Initiative with demons and wants Buffy in there to lead the humans in battle when he releases the demon horde upon them. Buffy, he figures, will maximise demon casualties allowing for lots and lots of human and demon spare parts, which he can then use to build an army of hybrids to begin bringing order to a chaotic world. Meanwhile at the caves, Buffy has a run in with Spike and figures out what’s been going on. She, Giles, Willow and Xander meet up and realise that Spike, working for Adam, has been playing them off against each other, looking to isolate Buffy from her besties. Buffy also figures out Adam’s plan and our girl decides to mount a surprise attack on Big Bad's secret lab in the Initiative before he can put his nasty plan in to action. But how to defeat the big nasty? It seems he feared the strength that Buffy drew from her friends, which goes and gives Giles an idea for a powerful spell to give the Buffster the advantage in combat. The gang then heads to the Initiative where they break in through Riley’s old frat house, repelling down the secret elevator shaft. However they are soon captured by Initiative types and pretty soon must watch helplessly as Adam takes control of the facility releasing all the demons from their cells. A massive human vs. demon battle ensues complete with explosions, mass casualties, body parts cleaved away. Buffy and the gang escape custody and cast their spell, imbuing Buffy with the strength of her three best friends and of the original primeval magic of the Slayer. Meanwhile Riley manages to remove the controlling chip from his chest and fights the newly demoned up Forrest, eventually besting his now monstrous ex-best friend. At the same time, primevaly boosted up Buffy finds Adam and engages him in a one on one smack down. Adam is unable to match or work around Buffy’s new power and ends up having his power cell ripped from his body by her, killing him stone dead. Later, somewhere in Washington DC, a bunch of Government officials discuss what happened in Sunnydale and make the decison that their interference in all things supernatural was a mistake and that the Initiative should be shut down and buried forever.

WHAT’S THE SITCH BENEATH THE SITCH?

The power of true friendship, of drawing strength from those who care for you and who you care for. Not being alone. This is one of the fundamental themes of the entire series. Buffy has only lived as long as she has, has only been as successful as she has because she’s got what no other slayer ever had: friends, family, a life (of sorts). She has people to care about and who care about her. Who have her back. The power in that is immense.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Adam, Demon-Forrest, lots of let loose demons.

WHY IT ROCKS

1. Action. You want big action? Fights? Explosions? Gun battles? Fire? Sets blowing up? Limbs severed? Check all those. Primeval is big. It’s ballsy. It’s an action spectacular. Humans and demons fight, fly through the air, lose body parts, explode. You name it, almost every stunt is in here. Seeing the fantastic Skunkworks location used as the Initiative engulfed in flames and carnage is pretty darn cool. Director Jim Contner and the stunt team did a splendid job. The stuntmen really earned their pay on this one inc. high falls and full body burns – still the most dangerous stunt to do. Contner shows lots of wide-angle destruction as well as fast cut frenetic carnage and more intimate battles and bloodshed. I especially liked Forrest blowing up, his dismembered head sent spinning at the camera. Cool.

2. Buffy goes Neo. Okay, so Joss loves The Matrix. It’s his favourite film. And here you can tell. When Buffy becomes possessed by the primeval force, she slows time, stopping bullets in slo mo and turning missiles in to doves. The FX look amazing if totally ripped off of the Wachowski’s. But its kinda cool seeing the same thing used in a magic/supernatural context as opposed to the scifi one in The Matrix.

3. The Buffy/Adam fight. Buffy’s hand to hand fight with Adam is bloody great. It is fairly brief but its a big ol’ fist pounding slug fest as she dodges his huge blows and counters with hard and fast poundings of her own. A tiny girl laying epic blows on a huge, hulking Frankenstein monster type and sending him reeling is just such a goddamn awesome image. Its moments like those that remind me why she’s possibly my favourite hero character ever, and still, all these years later, just so dam cool.

4. The elevator repelling scene. In a very Buffy scene, Buffy and Willow have a touching heart to heart and reconnect as best friends…while repelling on ropes down an elevator shaft. This sweet and touching scene is then undercut with funny as the pair hug…and then pratfall the rest of the way down. At the bottom of the shaft they continue to hug, and when Xander comes down next they hug him too. Unaware of the context Xander takes it the wrong way and thinks they are all about to die. Heh.


WHY IT SUCKS

1. Despite the coolness of Buffy and Adam’s big end fight, it does feel oddly small scale and ends kinda quick. Basically they are fighting one on one in a small room with nobody else about. I wish they’d been able to stage the fight out in the main Initiative set somehow. It would have been a lot more visually interesting with all the carnage going on around them.

2. Sarah lost a fair bit of weight over seasons 3 and 4 and her stunt/fight double is, in several scenes, obviously a lot more muscular.

3. I love Spike, but how come Buffy didn’t just stake him when it became clear he was working for Adam? Don’t get me wrong, I’m glad she didn’t, but it doesn’t make a whole heap of sense.

IT’S BUFFTASTIC

The fights and FX are fab but I do love the elevator-repelling scene. It’s disarmingly sweet, character based and funny. Quintessential Buffy.

DIALOGUE TO DIE FOR

Xander: “Spike's working for Adam?! After all we've done — Nah, I can't even act surprised.”

Buffy: “Xander!”
Willow: “Oh, wonderful Xander!”
Buffy (while giving a group hug): “You know we love you, right?”
Willow: “We totally do.”
Xander (morose): “Oh God, we're gonna die, aren't we?”

Spike (to Adam, about getting his chip removed): “Hello? Paging Dr. Owe-me-one.”

Willow (to Colonel McNamara as he's searching their equipment): “It's a gourd.”
Giles: “A magic gourd.”
Colonel McNamara: “What kind of freaks are you people?”

Uber-Buffy: “You could never hope to grasp the source of our power. (Pushes a hand in to Adams chest, pulling out his power core). But yours is right here.”

Spike (faking enthusiasm to help the Scoobies and save his own skin): "Then lets go save 'em, by gum!"

AND ANOTHER THING

Primeval is the standard big fight/epic conclusion to this season’s story arc concerning The Initiative and Adam. But it is not the season finale. In a left field decision made by Joss, and flying in the face of normal TV drama, he decided instead to end this season with a strange little character driven coda; an experimental episode about dreams and consequences which explores our main characters inner most fears, strengths and weaknesses. Restless is that episode. The one that ends season 4 proper. And it quickly became one of the most discussed, debated and beloved episodes of Buffy and of Joss’s writing career so far.

See ya in the Scoobies’ dreams.

HOW MANY STAKES?

Uber-Buffy beats all before her. 4 (out of 5)

BUFFY: 4.20 ‘THE YOKO FACTOR’

Giles sings Freebird

WRITER: Doug Petrie

DIRECTOR: David Grossman

WHAT’S THE SITCH?

Buffy gets back from her troubling visit to Angel in LA. Meanwhile Spike, recruited by Adam with the promise of removing his chip, hatches a dastardly plan to weaken the slayer: he intends to separate her from her friends by spreading rumours and lies amongst them. This proves very successful, putting the Scoobies at each others throats. Then Angel turns up, looking to find Buffy to apologise for how things went in LA, but he has a run in with a jealous Riley. Eventually the pair face off in front of Buffy who enforces a peace. She makes things right with Angel, who then leaves for LA. Buffy must then put things right with Riley…and break the news to him that she saw Adam kill his friend Forrest in an earlier run in she had with the big lug, one which Buffy barely survived. Shocked, Riley storms off alone. Later, Scooby Gang infighting comes to a head at Giles’s place (no pun intended) and an angry and distraught Buffy, worried about Riley, walks out on them all, heading off to fight Adam alone. Meanwhile Riley has found Adam, and the two of them, alone, face off.

WHAT’S THE SITCH BENEATH THE SITCH?

Complicated relationships, group dynamics, the darker side of human nature – resentment, anger, jealousy. It all comes in to play here. Spike does his part to ferment it but the tensions were already there bubbling away under the surface.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Adam and Spike

WHY IT ROCKS

Bad Spike. The platinum one gets to have a ton of fun messing with the Scoobies, sewing not-so-subtle seeds of discord amongst them. My personal favourite is how he gets Giles to degenerate in to a sulky drunk with the use of just a few well chosen words – observations about how Buffy treats her one time Watcher. Thing is, Spike is not too far from the truth. What’s best, though, is the one huge flaw in Spike’s plan that Adam identifies near episode’s end. Oops. Poor William.

Miss Kitty Fantastico. Tara and Willow get themselves a kitten who they call Miss Kitty Fantastico. She’s very cute and would make a good familiar. Shame she pretty much disappears after this season.

Angel. Unlike his last visit to Sunnydale, this one is really cool. Angel's fight with the Initiative guys and then with Riley is well done and pretty intense, as is his eventual confrontation with Buffy, after which the pair sorts out their issues and come to a peace. Boreanaz is great. Scowling, long black coat billowing, his brooding intensity is ramped right up to the max. Now THAT’S Angel. Plus his childish smirk to Riley after Buffy appears to take his side is perfect. Angel always had that slightly childish, petulant side to him. Great stuff.

Lots of plot. A ton of stuff happens in this episode. Lots and lots of character dynamics/exploration of relationships. Also a moving forward of Adam’s (still unknown) plan of action which seems to involve getting lots of demons in to the Initiative and also having Buffy lead the fight against them all. There’s not a moment in this ep that isn’t working flat out on character or plot. Nice work Doug Petrie.

Clown pants. Poor Riley is forced in to borrowing some of Xander’s less stylish clothes. Ugh!

WHY IT SUCKS

Um, nothing I can think of. This episode’s pretty much all-round great.

IT’S BUFFTASTIC

The current boyfriend and the ex-boyfriend smack down.

DIALOGUE TO DIE FOR

Xander (about the clothes he's letting Riley borrow): “Try those on. You'll feel like a new man.”
Riley: “Would this man have a bright red nose and big floppy feet?”

Spike (startling Giles): “You know, for someone who's got "Watcher" on his résumé, you might want to cast an eye to the front door every now and again.”

Anya (hitting Xander in the chest): “You're joining the Army?!”
Xander: “OK. (to Anya) One. Ow! (to Spike) Two. Where'd you get that idea? (to Anya) Three. Ow! (to both) I'm not joining the Army!”

Angel (angrily to Riley): “Don’t test me, boy!”

Buffy (to Riley about Angel): “He's... not bad.”
Riley: “Seriously? That's a good day? Well, there you go. Even when he's good, he's all Mr. Billowy Coat King of Pain, and girls really....”

Willow (fighting with Buffy): “We have to face it, you can't handle Tara being my girlfriend.”
Xander (to Buffy and Willow): “No! It was bad before that! Since you two went off to college and forgot about me. Just left me in the basement to… Tara's your girlfriend?”
Giles (drunk, off camera): “Bloody hell!”

AND ANOTHER THING

When Spike comes "bursting" into Giles', his reflection can be seen in a mirror behind Tara and Willow. Oops.

That’s really Tony Head playing an acoustic guitar and singing Lynrd Skynrd’s ‘Freebird’ right before he’s rudely interrupted by Spike. This was the second time Giles is caught singing. The first was in ep. 18 ‘Where the Wild Things Are’ when Willow, Xander, Tara and Anya walk in on him singing ‘Behind Blue Eyes’ at the Espresso Pump. Tony Head is a veteran of musical theatre. He had a brief role in Tim Burton’s film of Sweeny Todd (most of it was cut) and had a starring role in Darren Lyn Bouseman’s recent musical horror film Repo: The Genetic Opera.

HOW MANY STAKES?

Spike’s mixing it up. 4.5 (out of 5)

BUFFY: 4.14 ‘GOODBYE IOWA’

Short episode promo

WRITER: Marti Noxon
DIRECTOR: David Solomon

WHAT’S THE SITCH?

Professor Walsh is dead and her monstrous creation Adam is on the loose. Riley’s Initiative pals think that Buffy killed Prof. Walsh but they soon discover the truth when Adam finds, kills, and dissects a young child in the woods, curious about what makes the little boy work. Buffy and the Initiative separately investigate. They search everywhere for what they think is an escaped Polgara demon. Meanwhile Riley is acting strange: paranoid, angry, violent. With Xander’s help, Buffy sneaks in to the Initiative to find out what has been going on with Riley as well as the mysterious ‘314’. It soon becomes clear that Riley is suffering withdrawal from a secret drugs cocktail Maggie Walsh had been feeding him and her other soldier boys with. As paranoid Riley starts accusing Buffy of betrayal (especially after seeing Spike hiding at Giles’s and then Buffy in a demon bar) things seem ready to explode. And then things get even worse: Adam suddenly turns up, having returned to the Initiative, looking for answers too. The horrible secret of ‘314’ is finally revealed to all.

WHAT’S THE SITCH BENEATH THE SITCH?

The twisted parental/family theme continues as Adam reveals to Riley that they are ‘brothers’ - If not genetically then by the fact that they were both created and nurtured in their current forms by ‘Mommy’ Maggie Walsh. She saw them both as her creations, her children. So now we are going to have two warring brothers – one of whom is desperate to have the other with him, by his side, and will do anything to make that happen. There’s also the continuing theme that life is not black and white. It is not straightforward. Riley sees things very simply and rigidly whereas Buffy has learned to manoeuvre her way through the confusing, oft contradictory maze of life. This is all gonna be a big wake up call for Agent Finn.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Adam and a withdrawal-ridden Riley

WHY IT ROCKS

Continuation. This episode continues directly on from where the last episode ‘The I in Team’ finished, from the very same scene in fact. That’s the second time Buffy has done that this year, the previous one being from Hush to Doomed.

The mystery of Tara. Amber Benson is sweet as mousy Tara. She secretly and deliberately sabotages Willow’s demon locating spell - a character point that will pay off in episode 6 of season 5 entitled ‘Family’. Talk about planning ahead.

Life of Riley. This episode is a showcase for Marc Blucas. Riley is gradually becoming unhinged as he suffers major drugs withdrawal. And Blucas is excellent. Seeing nice, affable, wholesome Riley slowly degenerate in to a violent, paranoid, abusive psycho is kinda cool and scary. The scene in Willy’s Bar where he threatens to shoot dead a terrified woman is pretty intense. So stuff the haters cuz I like Riley. And I like Marc Blucas as Riley.

Buffy and the gang hiding out in Xander’s basement. The three girls sharing the bed and watching cartoons is cute, as is Giles’s annoyance at his uncomfortable night spent in a beachball chair. Then, dressed in her stylish Yummy Sushi pyjamas, Buffy goes and gives a commanding speech to the gang about what she’s gonna do next, which she quickly concedes isn’t really commanding at all while dressed in PJ’s with fish on them.

Evil Adam. What Adam does to the little boy (all off screen thankfully) is ghastly. The scene where they meet is reminiscent of the one in Frankenstein where the monster meets a little girl by the lake, then throws her in, drowning her. George Hertzberg is rather good in this scene and later when confronting Riley and Buffy at the Initiative. His cool, dispassionate manner is disconcerting and at odds with his deeds and his appearance.

WHY IT SUCKS

Disjointed. This is a season plotting episode. Its main function is to link story points together across various episodes and advance the main season arc. As such, it feels more like a series of incidents and events than a cohesive story in its own right.

Continuity errors. The Polgara demon was captured the night before this episode starts. But two days into the episode, Riley says that "the Polgara demon [we] captured last week" must have killed Walsh. And later, Willy says that he heard a Polgara demon was in town and taken off the streets "a week or two ago."

A 90’s Demonoid. I like the design and look of Adam if not being totally sold on the way the character is used as the big bad. However for a state of the art human/demon/cyborg, why the heck would he have an old fashioned floppy disc drive in his chest and use that to load up info? C’mon, this was made in the year 2000! The internet was in full flow. Couldn’t he have had some better way of accessing info? Wireless hacking in to networks maybe? It just looks really silly.

IT’S BUFFTASTIC

Riley freaking out at Willy’s Bar.

DIALOGUE TO DIE FOR

Buffy: “This is Spike. He's um... it's a really long story. But he's not bad anymore!”
Spike: “Hey! What am I, a bleeding broken record? I'm bad! It's just... I can't bite anymore, thanks to you wankers.”

Buffy: “I'm the only one that can pass the retinal scan.”
Xander: “The — Eww! I don't wanna see that!”
Buffy: “Retinal scan, Xander.”

Xander (amazed, seeing the Initiative base): “I totally get it now. Can I have sex with Riley, too?”

Spike: “Double shot of O-Neg, keep. Make it the good stuff. I don't want no freakin' Orangutan.”

Buffy: “I feel an attack of dumb blonde coming on.”

AND ANOTHER THING

Buffy's "yummy sushi pyjamas" are real. They are made by the same company (The Cat's Pyjamas) that made the butterfly pyjamas she wore in "Beer Bad."

Joss is very definite about how Tara’s name is pronounced. It is Tear-ah, not Tah-ra as we Brits would say. He apparently tells people off for saying it wrong.

HOW MANY STAKES?

Riley loses it. 3.5 (out of 5)

BUFFY: 4.13 - ‘THE I IN TEAM’

A short promo for this episode

WRITER: David Fury
DIRECTOR: James A. Contner

WHAT’S THE SITCH?

Riley officially brings Buffy in to The Initiative where she gets a beeper and lots of reading material. To begin with, Buffy is excited and swept up in her new world. But a worried Willow tells her to be careful and watchful as they don’t know what the Initiative is really all about. Once inside, Buffy discovers that things in the Initiative are need to know only. Riley and his boys just go on mission as ordered and do as they are told no questions asked. But when Buffy comes in to the mix she starts asking questions of Professor Walsh. Questions that are making the Professor more and more uncomfortable – especially about the mysterious ‘314’ as mentioned by Ethan Rayne in the previous episode. Soon, Professor Walsh, thinking Buffy too much of a liability, hatches a nasty plan to send our girl out alone and have her trapped and then killed by some rogue demons. Then, come episodes end, the mystery of ‘314’ is revealed, with deadly consequences.

WHAT’S THE SITCH BENEATH THE SITCH?

The primary theme here is about questioning authority, not just taking things on blind faith. Riley and his boys are trained and conditioned to just do as they are told, no questions asked. But Buffy is the total opposite. She simply has to ask questions, she has to know what she is fighting for. She wants reasons. And they better be good ones. There’s also a weird rather twisted parental thing going on with ‘mommy’ Maggie Walsh and her ‘children’ Riley, Adam, and even Buffy. Maggie wants to create perfect (in her eyes) children who will behave just as she directs them to behave. Buffy does not fit the bill and so needs to be kicked out of the family. Permanently.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Maggie Walsh, Polgara Demons, and Adam.

WHY IT ROCKS

Nasty Maggie. In this episode we realise just how nutty Prof Walsh is. And what she’s been doing all of her demon experiments for. Her cold and calculating attempt to kill Buffy is…cold and calculating. Lindsey Crouse is nicely chilly in her final appearance on Buffy.

Spike needs help. In a lovely reverse of last episode, Spike gets shot by an Initiative tracking dart and needs Giles’ help to escape them and to get the dart out. Let’s just say Giles gets his money back. Heh.

Buffy and Riley’s bonk/battle. There’s a beautifully and rather erotically filmed sequence in this episode which crosscuts Buffy and Riley making love for the first time with them in violent battle with multiple demons.

Willow and mousy Tara becoming closer. Aww.

Willow’s spell to ionise the atmosphere in Giles’s home has an amusing hair raising effect.

It’s a trap! The sequence where an unwitting Buffy is sent by Prof. Walsh in to a deadly trap is great. Watching on monitors, Maggie thinks Buffy has been killed…just as Riley turns up. Maggie tells Riley that something terrible has happened, that Buffy rushed off alone and against orders, and is now dead. As Maggie is busy lying to Riley, Riley sees on the monitors behind the professor Buffy’s grim face appear. Shocked, Professor Walsh turns to see Buffy alive and well as our girl tells her that she’s made a big mistake. And that she’s going to find out what a slayer really is. Yes!

Adam. The secret of ‘314’ is revealed. A huge demon, human, cybernetic hybrid monster stitched together ala Dr Frankenstein’s creation. Though Adam was never my favourite Buffy big bad, he is still a striking looking creation. Kudos to the make-up guys. And to actor George Hertzberg for wearing it well.

WHY IT SUCKS

Buffy wears out her welcome with The Initiative kinda quickly.

Professor Walsh makes a rather hasty exit (due to Lindsey Crouse suddenly deciding she wanted to leave).

I love Buffy but she can be a bit of an unfeeling so and so sometimes. Whenever something new and shiny comes along she’s kinda quick to drop her friends, especially poor Willow. It happened last season with Faith. And look how well that turned out. Still, that’s part of the main theme of this season – the power of true friendship, being more confident, more powerful when with the right people.

Adam. Yes, I know he’s in the ‘Why it rocks!” section above but I’ve always had mixed feelings about him. He looks cool. The basic concept behind him is pretty good (putting science and the supernatural together in to a physical form). But he just always felt kinda flat and lacking in any real challenge for Buffy. Plus there’s no real connection between them. In season one, The Master and Buffy were locked together in prophecy. In season two, Angelus was Buffy’s ex-lover. In season three, Faith is the temptress and the dark reflection of Buffy, and The Mayor is an odd (and evil) fatherly presence. The connection here is between Riley and Adam, not Buffy and Adam. I think Buffy always works best when she has a real emotional connection to the big bads she battles.

IT’S BUFFTASTIC

Grim-faced Buffy on the monitors behind a shocked Professor Walsh, telling her she’s going to find out what a slayer really is. Go Buffster!

DIALOGUE TO DIE FOR

Willow (about Buffy): “Guess she's out with Riley. You know what it's like with a spanking new boyfriend.”
Anya (re: Xander): “Yes, we've enjoyed spanking.”

Buffy (about Riley's lunch selection): “ ... A Twinkie! That's his lunch? Oh, he is so gonna be punished.”
Willow: (Miserable) “Everyone's getting spanked but me.”

Buffy: “You said it was big. You told me, but you never said it was huge!”
Riley: “Don't like to brag.”

Walsh : “You might want to be suited up for this.”
Buffy: “Oh, you mean the camo and stuff. I thought about it, but on me it's gonna look all Private Benjamin. Don't worry, I've patrolled in this halter many times.”

Buffy (grim-faced on monitors): “Professor Walsh? That simple little recon you sent me on — wasn't a racoon. Turns out it was me, trapped in the sewers with a faulty weapon and two of your pet demons. If you think that's enough to kill me, you really don't know what a Slayer is. Trust me when I say you're gonna find out.”

AND ANOTHER THING

Professor Walsh’s exit feels rushed for a good reason. Lindsey Crouse suddenly decided she wanted to leave the show, forcing the writers to bring forward her demise by several episodes. A shame.

HOW MANY STAKES?

The Team works. 3 (out of 5)