BUFFY THE VAMPIRE SLAYER 6.2: BARGAINING (PART 2)

Bring Me To Life

WRITER: David Fury

DIRECTOR: David Grossman

WHAT’S THE SITCH?

Unbeknownst to Willow and the other Scoobies the ritual to bring Buffy back to life has worked. Our girl has regenerated and is alive and trapped in her coffin under the earth. Screaming in terror she begins to claw and fight her way free.

Meanwhile, up above, the evil demon bikers continue their rampage through Sunnydale.

Back at casa Summers, Spike tells Dawn they can’t stay there and have to leave as the neighbourhood burns. Hijacking a motorcycle Spike and Dawn take off, looking for safety.

In the woods, the Scoobies split up with Xander carrying an exhausted Willow while Tara and Anya head separately back in to town. The two girls soon arrive at the Magic Box and wait there for their loved ones to get there too.

Back to Buffy who has now escaped from her grave and is wandering dazed and confused through the burning, ransacked streets of Sunnydale. Soon she stumbles across the gathered throng of demon bikers and their leader who have the captured Buffybot chained by each limb to four different motorcycles. Real Buffy then watches horrified as the motorbikes proceed to speed away, ripping the poor Buffybot to pieces. Seeing real Buffy, the demons, thinking she is another robot, try to grab her too. But real Buffy runs off with the demons in hot pursuit.

Back in the woods, Xander and Willow are lost. But then a magic light appears to guide them home, a light Willow knows has been sent by Tara. Soon, Xan and Will arrive back at the Magic Box, reunited with Anya and Tara. Thinking the resurrection of Buffy failed, the gang determine that it is up to them to stop the demon horde, and tooling up, they head out to do battle.

Spike and Dawn, still on the bike, find the abandoned wreckage of the Buffybot. Spike knows she is done for but Dawn goes to her just in time to catch her final words. Buffybot saw the real Buffy and asks Dawn where “other Buffy” went? And with that the poor broken bot ‘dies’. Dawn, making a leap of faith, runs off, looking now for “other Buffy” with Spike not even noticing she has gone until it is too late. Furious he sets out to find the runaway niblet.

Eventually Willow, Xander, Tara and Anya run in to real Buffy in an alleyway. After initially thinking she is the Buffybot, Willow realises she is in fact the real thing. The gang are amazed and happy yet also worried by Buffy’s dazed and confused behavior. Right then, the demons arrive and a fight ensues. Thankfully some of the old Buff returns and she engages the horde in battle, beating them down. But then, battle done, she runs off, clearly traumatised by the whole affair, leaving Tara to finish off the nasty demon leader with a well placed axe to the back. Her first, she proudly announces.

Dawn arrives at Glory’s tower, which is still standing, but only barely. She looks up and sees someone up on top. She runs to the tower and ascends it as fast as she can.

Up on top of the tower, it is Buffy standing at it's edge. She is staring down at the ground far below as fragments of memories of her fatal sacrifice fill her mind.

Suddenly Dawn appears behind her.

Dawn, scared that the somehow newly returned Buffy is going to take another swan dive, begs her sister to come away from the edge, to come back home with her.

For a time Buffy seems unsure and appears more inclined to jump once more.

But as the rickety tower begins to shake and crumble, and as Dawn screams out in terror, Buffy snaps out of it. At the last moment she turns, grabs her little sister, and grabbing a cable, swings them both off of the tower and down to the ground and safety…just as the whole thing comes tumbling down behind them.

The episode ends with Dawn hugging tightly her returned and thoroughly confused looking big sister.

WHAT’S THE SITCH BENEATH THE SITCH?

Nothing specific as this carries on directly from part 1. I guess there is something in there about putting those you love before your self.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Still the nasty demon biker gang

WHY IT ROCKS

Seamless: It’s a direct continuation of part 1 and the join is seamless even though it has a different writer.

Payoff: Part 1 was the set up and this is the resolution. As such there is a lot of action and running around and fights. And they are all great as per usual. The emotional beats hit home too, especially the loss of poor Buffybot and the real Buffy looking and acting so lost and traumatised throughout.

On your bike: Spike's flying kick, taking the demon rider off of his motorbike and Spike then nicking it. Very, very cool.

SMG: whether playing the demise of poor Buffybot or the newly returned Buffy she is tremendous. As Buffy she has virtually no dialogue relying almost entirely on body language and on a pretty face that tells a traumatic tale with nothing more than a simple look.

Go Tara! Great to see Tara getting in on the demon slaying action. Nice axe to the back, girl!

WHY IT SUCKS

Bye, bye Buffybot: She’s gone to electro heaven. Rest easy, sweet, funny robo babe. We miss you. :(

The Scoobies must have realised that they’d need to dig Buffy out of her grave. So why didn’t they bring tools to dig her out? And why didn’t they dig up the grave before doing the spell so Buffy wouldn’t suffocate?

SMG’s post-death shock wig is kinda…shocking.

Still no cops

And no fire-fighters either

IT’S BUFFTASTIC

Spike’s flying kick to take out a motorcycle demon…and then nicking his ride. Cool.

DIALOGUE TO DIE FOR

Spike: A couple of stakes, holy water, one cross. (picks up cross) Ow! (drops it) Brilliant.

Willow: Xander, that's not the North star. It's an airplane.
Xander: No, that's not an airplane. That's definitely... a blimp. But I can see how one would make that airplane mistake.

Xander: Demons. Ah, there's something you don't see every day. Unless you're us.

Willow (following the tiny glowing light sent by Tara): Xander, it's not a bug. It's Tara.
Xander: And how long have you known that your girlfriend's Tinkerbell?

Xander: This place is NORAD when we're at DefCon 1. (The girls look at him blankly) Okay, I *so* need male friends.

Xander: I happen to be a very powerful man-witch myself. A male... (turns to Willow) is it a warlock? (turns back to the demon biker) Warlock.

Xander: Tara, nice axing.
Tara: My first!

AND ANOTHER THING

The location where Dawn finds Buffybot was the same place used for Glory and the monks' original hideout in 5.5 'No Place Like Home'.

This is the second time we’ve seen Buffy six feet under. There’s a scene in 1.10 'Nightmares' where Buffy is buried alive by the Master - it’s one of her fears.

HOW MANY STAKES?

Still a bargain at 4 (out of 5)

BUFFY THE VAMPIRE SLAYER 6.1: BARGAINING (PART 1)

Promo

WRITER: Marti Noxon

DIRECTOR: David Grossman

WHAT’S THE SITCH?

And we’re back!

It’s been several months since Buffy died, sacrificing herself at Glory’s Tower to save her little sister as well as the rest of the world. Things in Sunnydale seem to have settled in to some sort of slaying routine, even without our deceased heroine being around. The gang, led by a mystic all seeing (and telepathic) Willow, are a well oiled slaying machine…kind of. They are all present and correct – Tara, Giles, Anya, Xander and Spike, all following Willow’s instructions to hunt down and slay a big fat vamp in the cemetery. Oh, and they have an ace up their sleeve. The Buffybot. The gang are using our reprogrammed electro girl to make the supernatural world think that the Slayer is still alive and kicking…their arses. And RoboBuffy has been doing a mighty fine job of it too, even cracking wise in a fight just like the real Buffster.

But no matter how good a copy she is, Buffybot is not the real Buffster.

The truth is Buffy’s demise has left a gaping hole in the lives of all the Scooby gang. They miss her terribly. Guilt is rife, especially from Giles and Spike. And poor Dawn, while putting a brave face on her loss, at night sneaks in to the room where the Buffybot recharges and secretly cuddles up to the robotic copy of her lost sister.

But unbeknownst to Dawn, Spike and Giles, Willow has a plan.

She’s refused to give up on the lost Slayer and has vowed to use whatever magic she can to bring Buffy back! Working secretly with Tara, Xander and Anya, she is preparing a dark and very dangerous spell to rescue Buffy from the eternal torment of the hell dimension in which she thinks Buffy is trapped. Willow declares that because Buffy died an unnatural death through mystic energy, they have a very good chance of bringing her back to life. Xander though is unsure, worried about the morality of what they plan to do. But Willow convinces him, mostly with the simple words: “It’s Buffy!” Xander can’t argue with that and agrees to help. The plan of resurrection is on for that very night.

Meanwhile, a weaselly little vampire has managed to cause a slight injury to Buffybot, exposing her electrical circuitry and damaging her navigational system, thus allowing the little monster to get away. He escapes with the knowledge that the Slayer is in fact nothing more than a machine and he ends up at an out of town bar where he tells his story to an ugly and vicious gang of motorcycle demons who all now know that with the real Slayer gone the Hellmouth is ripe for the taking. The vile gang heads off at top speed, violence on their minds, destination: Sunnydale.

Also meanwhile, Giles has decided to leave. He’s realised that with Buffy gone he has no real reason to stay. And so he secretly heads to the airport to catch a plane back to England. But the Scoobies discover what he is doing and they just about manage to get to the airport for a heartfelt goodbye before the G man’s flight is called. And so Giles leaves, not knowing that Willow and co. are planning on Bringing Buffy back that very same night; a plan he is not informed of as Willow knows that he would try to stop her.

And so later that night, gathered around Buffy’s grave, Willow begins the ritual with Tara, Xander and Anya looking on concerned.

Said ritual is dark, and it is extremely painful on Willow. Her flesh is slashed, bugs crawl under her skin, and she vomits up a snake! Xander tries to stop it but Tara stops him, saying Willow told her this would happen, that it is a test. But just as the ritual is building to its climax the demon biker gang shows up pursuing the Buffybot who is damaged and has automatically sought out Willow for repair. Then, right at the crucial moment of the ritual, a demon’s motorcycle goes and breaks the Urn of Osiris, abruptly ending Willow’s resurrection spell. Heartbroken by the perceived failure and terrified by the rampaging demons, the Scoobies flee in to the woods leaving behind the damaged Buffybot to be taunted and tortured by the evil horde.

Meanwhile, underground, inside her coffin, the withered corpse of Buffy Anne Summers is enveloped by mystical energy and begins to regenerate. After a few shimmering seconds, the now newly regenerated slayer opens her eyes and gasps for air. She’s alive! ALIVE!

WHAT’S THE SITCH BENEATH THE SITCH?

Not too much in the way of underlying theme or subtext here. I guess the only obvious one is about how we each deal with loss - the refusal to believe it, to accept it, the guilt, the anger, the simple terrible absence in your life. All are shown here, though they are not explored in any great depth.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Demonic motorcycle gang The Hellions. Ugly bunch of suckers.

WHY IT ROCKS

Life goes on: the gang are all stepping up and dealing with life after Buffy. The world still thinks the Slayer is active. With Willow and Tara now living at 1630 Revello a new family unit has been created to look after Dawn and to keep things afloat. It all seems plausible and workable. And with Buffybot around, life, though different, appears not to be so bad. At least on the surface.

How we deal: There are some nice character beats throughout the ep. showing how the Scoobies are (and are not) dealing with the loss of the Buffster. Willow refuses to believe she is gone, being determined to put things right via magic at any cost (a portent of her fall from grace this season). Giles is feeling guilty and is full of self loathing, thinking he has finally achieved a Watchers role in life – to watch his Slayer die. Spike is angry with himself for having failed to save Buffy, for having failed to keep his promise to her to protect Dawn, and as a result has now turned in to Dawn’s constant babysitter, refusing to leave her on her own and unprotected. And Dawn, she is quietly accepting, though in secret she pines desperately for her sister. Only Xander seems to be the voice of reason and true acceptance. Of course that doesn’t last after Willow convinces him otherwise.

The set up: part 1 is of course all about showing where everyone is, physically, emotionally and mentally, and about getting them to the point of bringing Buffy back. The emotional beats provided by Marti Noxon’s functional yet emotionally engaging script are all honest and affecting. We feel the Scoobies sense of loss, of pain. We feel awful for poor Dawnie as she cuddles up at night to the Buffybot. We feel Giles’ stoic anguish, Willow’s stubborn refusal, and perhaps most of all, Spike’s barely restrained fury and pain. Soulless? No way.

Buffybot: Aw, I love her so much. The innocent, smiley, chirpy, ever helpful Buffybot. So cute. And SMG is fabulous at playing her. It’s such a great device to keep your star in the episode and the character around when she really isn’t. Plus she’s just so darn adorable. I especially like how Spike can’t look at her properly anymore and is devastated when a bit of her old ‘I adore Spike’ programming rears its head. It’s all about character.

The funny: for what could be a very depressing and mawkish episode Bargaining Part 1 defies those expectations to actually be very funny and charming. Much of this is thanks to Buffybot and to some great lines of dialogue from a cast so in tune with their characters and with each other.

Stylish: Willow et al sure do have stylish wardrobes this year. World of leather must have signed them up for a discount. They all look great. All the girls look gorgeous, dressed and made up to the nines. The lads all look great too, cool and handsome. The photography is glossy and lush and the FX top notch. The move to UPN seems to have done them all the world of good.

WHY IT SUCKS

Um, demon bikers? Okay, the demon biker gang The Hellions are a goofy idea much like the Knights who say Nee from season 5 (or whatever they were called). They are just a bunch of dumb violent lugs and nothing more. And how do they exist and operate in a world that is still largely unaware of the supernatural? They seem to ride around and hang out in bars without giving their appearance to humans a second thought.

Where are all the cops? So the demon gang discover that the Slayer is no more and decide it is open season on Sunnydale. They show up in town and promptly run riot, looting, destroying, burning… And where exactly are Sunnydale’s finest while all this is going down? Have they all gone out for doughnuts? Are they all on summer leave? C’mon! Buff wasn’t the only protection Sunnydale had from bad guys.

The headstone: So, if the gang are trying to make the world think Buffy is alive and well and still slaying, why then do they plant a great big headstone with her name on it in the cemetery where all can see, effectively telling the world she is dead? Duh!

IT’S BUFFTASTIC

Lots of great moments but for pure shock value it has to be Willow, the cute baby deer, and the BIG knife! Oh my god, she killed Bambi!

DIALOGUE TO DIE FOR

Spike: Oh, poor Watcher. Did your life pass before your eyes? Cup of tea, cup of tea, almost got shagged, cup of tea?

Buffybot: That'll put marzipan in your pie plate, Bingo!

Willow: And I got her off those knock-knock jokes.
Buffybot: Ooh, who's there?
Xander: You know, if we want her to be exactly...
Spike: She'll never be exactly.
Xander: I know.
Tara: The only really real Buffy is really Buffy.
Giles: And she's gone.
Buffybot: "You know, if we want her to be exactly, she'll never be exactly, the only really real Buffy is really Buffy, and she's gone" who?

Xander: House of chicks, relax. I'm a man, and I have a tool. (pause) Tools. Lots of plural tools, in my, uh, toolbox.

Spike (to Dawn): She responded to Buffy-Bot because a robot is predictable. Boring. A perfect teacher's pet. That's all school's are, you know. Just factories, spewing out mindless little automatons. (Guilty pause) Who go on to be very valuable and productive members of society, and you should go.

Tara: You found the last known Urn of Osiris on eBay?
Anya: Yeah, from this desert gnome in Cairo. He drove a really hard bargain, but I finally got him to throw in a limited-edition Backstreet Boys lunchbox for...
Xander: (coughs)
Anya: A friend.

Buffybot: Sorry I questioned you, Spike. You know I admire your brain almost as much as your washboard abs.

Anya (to Giles): I'll take really good care of your money.

AND ANOTHER THING

In the US part 1 was originally shown with part 2 as a feature-length special to celebrate Buffy's re-launch on the UPN network. On the UK DVD set it also plays as one long double episode.

Responding to the Buffybot's comment about "That'll put marzipan in your pie-plate bingo", Spike asks "Why the Dada-ism?" referring to the German absurdist art movement of the 1920s. Not many prime time US shows would casually refer to such things. Love it.

Tara gives Giles a little rubber monster as a leaving present and says "Grrr, argh" - clearly a reference to the monster in the Mutant Enemy logo at the end of every episode.

This episode is the first time that Anthony Stewart Head is listed as a guest star in the credits. Alyson Hannigan now appears in the opening sequence in the spot he used to occupy. Tony had decided to leave the show full time in order to spend more time with his family back in England and to pursue other roles. But he remained a big part of the show for its remaining two seasons.

Season six sees the writer of this episode Marti Noxon promoted to co-executive producer alongside Joss, taking on the day to day running of the show as Joss moved on to do other things. Thus her name now appears alongside Joss' in the end credits.

The scene where Willow kills the deer is nasty enough but originally it was a lot gorier and had to be cut back in order to be suitable for transmission. Interestingly, the music playing during this scene is listed in the production notes as "Willow Stabs Bambi". Alyson Hannigan found it extremely difficult to film this scene. She was very upset at the thought of Willow doing such a thing and Marti Noxon says that Alyson cried the whole day it was being filmed.

In this episode we discover that Anya and Xander are engaged, but Xander doesn’t want to tell the others yet, causing tension between him and Anya.

Franc Ross, who played the lead hellion demon Razor, played ‘Monty Reynolds’ in Joss Whedon’s Firefly episode ‘Trash’.

The vampire who discovers that Buffy is a robot is wearing a Hanson t-shirt. Vampire or not, he is clearly evil.

HOW MANY STAKES?

It’s a bargain at 4 (out of 5)

BUFFY: 4.13 - ‘THE I IN TEAM’

A short promo for this episode

WRITER: David Fury
DIRECTOR: James A. Contner

WHAT’S THE SITCH?

Riley officially brings Buffy in to The Initiative where she gets a beeper and lots of reading material. To begin with, Buffy is excited and swept up in her new world. But a worried Willow tells her to be careful and watchful as they don’t know what the Initiative is really all about. Once inside, Buffy discovers that things in the Initiative are need to know only. Riley and his boys just go on mission as ordered and do as they are told no questions asked. But when Buffy comes in to the mix she starts asking questions of Professor Walsh. Questions that are making the Professor more and more uncomfortable – especially about the mysterious ‘314’ as mentioned by Ethan Rayne in the previous episode. Soon, Professor Walsh, thinking Buffy too much of a liability, hatches a nasty plan to send our girl out alone and have her trapped and then killed by some rogue demons. Then, come episodes end, the mystery of ‘314’ is revealed, with deadly consequences.

WHAT’S THE SITCH BENEATH THE SITCH?

The primary theme here is about questioning authority, not just taking things on blind faith. Riley and his boys are trained and conditioned to just do as they are told, no questions asked. But Buffy is the total opposite. She simply has to ask questions, she has to know what she is fighting for. She wants reasons. And they better be good ones. There’s also a weird rather twisted parental thing going on with ‘mommy’ Maggie Walsh and her ‘children’ Riley, Adam, and even Buffy. Maggie wants to create perfect (in her eyes) children who will behave just as she directs them to behave. Buffy does not fit the bill and so needs to be kicked out of the family. Permanently.

WHO’S GIVING US THE WIGGINS THIS WEEK?

Maggie Walsh, Polgara Demons, and Adam.

WHY IT ROCKS

Nasty Maggie. In this episode we realise just how nutty Prof Walsh is. And what she’s been doing all of her demon experiments for. Her cold and calculating attempt to kill Buffy is…cold and calculating. Lindsey Crouse is nicely chilly in her final appearance on Buffy.

Spike needs help. In a lovely reverse of last episode, Spike gets shot by an Initiative tracking dart and needs Giles’ help to escape them and to get the dart out. Let’s just say Giles gets his money back. Heh.

Buffy and Riley’s bonk/battle. There’s a beautifully and rather erotically filmed sequence in this episode which crosscuts Buffy and Riley making love for the first time with them in violent battle with multiple demons.

Willow and mousy Tara becoming closer. Aww.

Willow’s spell to ionise the atmosphere in Giles’s home has an amusing hair raising effect.

It’s a trap! The sequence where an unwitting Buffy is sent by Prof. Walsh in to a deadly trap is great. Watching on monitors, Maggie thinks Buffy has been killed…just as Riley turns up. Maggie tells Riley that something terrible has happened, that Buffy rushed off alone and against orders, and is now dead. As Maggie is busy lying to Riley, Riley sees on the monitors behind the professor Buffy’s grim face appear. Shocked, Professor Walsh turns to see Buffy alive and well as our girl tells her that she’s made a big mistake. And that she’s going to find out what a slayer really is. Yes!

Adam. The secret of ‘314’ is revealed. A huge demon, human, cybernetic hybrid monster stitched together ala Dr Frankenstein’s creation. Though Adam was never my favourite Buffy big bad, he is still a striking looking creation. Kudos to the make-up guys. And to actor George Hertzberg for wearing it well.

WHY IT SUCKS

Buffy wears out her welcome with The Initiative kinda quickly.

Professor Walsh makes a rather hasty exit (due to Lindsey Crouse suddenly deciding she wanted to leave).

I love Buffy but she can be a bit of an unfeeling so and so sometimes. Whenever something new and shiny comes along she’s kinda quick to drop her friends, especially poor Willow. It happened last season with Faith. And look how well that turned out. Still, that’s part of the main theme of this season – the power of true friendship, being more confident, more powerful when with the right people.

Adam. Yes, I know he’s in the ‘Why it rocks!” section above but I’ve always had mixed feelings about him. He looks cool. The basic concept behind him is pretty good (putting science and the supernatural together in to a physical form). But he just always felt kinda flat and lacking in any real challenge for Buffy. Plus there’s no real connection between them. In season one, The Master and Buffy were locked together in prophecy. In season two, Angelus was Buffy’s ex-lover. In season three, Faith is the temptress and the dark reflection of Buffy, and The Mayor is an odd (and evil) fatherly presence. The connection here is between Riley and Adam, not Buffy and Adam. I think Buffy always works best when she has a real emotional connection to the big bads she battles.

IT’S BUFFTASTIC

Grim-faced Buffy on the monitors behind a shocked Professor Walsh, telling her she’s going to find out what a slayer really is. Go Buffster!

DIALOGUE TO DIE FOR

Willow (about Buffy): “Guess she's out with Riley. You know what it's like with a spanking new boyfriend.”
Anya (re: Xander): “Yes, we've enjoyed spanking.”

Buffy (about Riley's lunch selection): “ ... A Twinkie! That's his lunch? Oh, he is so gonna be punished.”
Willow: (Miserable) “Everyone's getting spanked but me.”

Buffy: “You said it was big. You told me, but you never said it was huge!”
Riley: “Don't like to brag.”

Walsh : “You might want to be suited up for this.”
Buffy: “Oh, you mean the camo and stuff. I thought about it, but on me it's gonna look all Private Benjamin. Don't worry, I've patrolled in this halter many times.”

Buffy (grim-faced on monitors): “Professor Walsh? That simple little recon you sent me on — wasn't a racoon. Turns out it was me, trapped in the sewers with a faulty weapon and two of your pet demons. If you think that's enough to kill me, you really don't know what a Slayer is. Trust me when I say you're gonna find out.”

AND ANOTHER THING

Professor Walsh’s exit feels rushed for a good reason. Lindsey Crouse suddenly decided she wanted to leave the show, forcing the writers to bring forward her demise by several episodes. A shame.

HOW MANY STAKES?

The Team works. 3 (out of 5)

Buffy: 3.1 ‘Anne’

Writer: Joss Whedon
Director: Joss Whedon

What's the sitch?

The new school year is about to start at Sunnydale High and Xander, Willow and Oz are valiantly (and only partially successfully) slaying vampires by night while preparing for the start of school by day. And all without thier missing vampire slaying friend who no one has seen or heard anything from all summer. Giles, meanwhile, has been following up potential leads and continually jetting off all over the country serching for Buffy...but to no avail. And as for Joyce, she's been waiting at home, beside herself with worry.

And so just what has become of our runaway Sayer?

Well, turns out she's been living alone in a run down area of LA, working as a waitress in a diner and calling herself Anne, her middle name. She just wants to be left alone to wallow in her misery, but a chance run in with Lily aka Chantarelle from last season’s ‘Lie To Me’ soon gets her embroiled in helping search for Lily's lost boyfriend. This eventually brings Buffy in to confrontation with a bunch of nasty demons masquerading as do-gooders for homeless kids. These demons are in fact kidnapping young runaways and taking them back to work as slaves in their own demon dimension, eventually returning the kids to Earth a few days later, only as old people who are about to die. You see, time moves much faster in the hell dimension than it does on Earth. Anyway, so Buffy ends up following Lily in to the hell dimension and our girl quickly leads a revolt, freeing the young slaves and slaying nasty demon boss ‘Ken’, before returning the captured kids back to our world. Back in LA, Lily takes over Buffy’s job, her room and the name of Anne, while Buffy heads back to Sunnydale to finally put her life together again.

What's the sitch beneath the sitch?

The main metaphor for this story is the despair and hell endured by kids that, for whatever reason, run away from home and end up living on the streets, becoming targets for abuse and exploitation, making them old before their time. And this is also about Buffy living in hell after what she’s gone through…but then fighting back and reclaiming her life and rediscovering who she is.

Who's giving us the wiggins this week?

Ken and his nasty demon slavers. And some random vamp that Willow, Xander nd Oz are trying and failing to slay.

Why it rocks

It’s a Joss episode. And it’s all metaphory.

There is one heck of a good and complicated (if very showy) continuous DePalma style take that follows Xander, Willow, Giles, Oz , Cordy and various other kids through and around the corridors of Sunnydale High as they all meet up and restart school.

Julia Lee who plays Lily aka Chantarelle aka Anne is a beautiful girl and makes for a very sweet character. She will come back a few times as ‘Anne’ in Angel, running a shelter for runaway kids.

Michael Gershman’s photography turned more colourful and glossy in this third year. The hell dimension scenes look especially great. After the first two years being shot on 16mm film, Season 3 shifted to the higher grade 35mm. As a result the image became sharper and richer, but also lost the moody grain of before.

‘Anne’ has what is possibly the single greatest fight scene in all seven seasons of Buffy, and one of the best ever seen on TV. Buffy’s run as she escapes the demon horde and then fights them all off in a continuous bone-breaking, knock down slug fest, is bloody marvellous. Seriously, this fight would look awesome in a major Hollywood movie.

The Gellar is back and giving great mope. Plus she has a new haircut with coloured streaks and stuff. Somehow she looks even younger and tinier in this episode than she did last season.

New title design. The ‘Buffy the Vampire Slayer’ title card in the opening credits has been replaced with what is now seen as the definitive design.

Why it sucks

It’s a solid enough story and a pretty good (if unsubtle) metaphor…but it just doesn’t get up to the dizzying heights of Whedon’s last few efforts.

Lily is sweet and cute but is just a tad too simpering.

It's Buftastic

That epic Buffy vs. demons smackdown.

Dialogue to die for

Xander: You don't hide. You're bait. Go act baity.
Cordelia: What's the plan?
Xander: The vampire attacks you.
Cordelia: And then what?
Xander: The vampire kills you. We watch, we rejoice.

Buffy: You know, I just... I woke up, and I looked in the mirror, and I thought, hey, what's with all the sin? I need to change. I'm... I'm dirty. I'm, I'm bad with the... sex and the envy and that, that loud music us kids listen to nowadays. W...Oh, I just suck at undercover.

Demon Slave Master: Who are you?
Buffy: I'm Buffy. The Vampire Slayer. And you are...?

And another thing

Carlos Jacott who plays nasty Ken is a Whedon fave having been in both Angel and Firefly.

Street scenes from this episode find their way in to the opening credits of Angel.

Seth Green becomes a regular cast member in this episode.

This episode features the debut of a new opening credit sequence, with a re-recorded theme, new logo and a new montage of scenes.

Buffy's middle name is Anne. Here in the UK we have a chain of sex shops called Ann Summers. Maybe a little joke by Joss seeing as how he went to school over here for a while.

How many stakes?

Buffy go home. 3 (out of 5)